first release for feast records, made by toronto based sean roman, backed up with remixes by manik and waifs & strays.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

from the back catalogue of the label, we lovingly remastered several of our favourite tracks from our vast selection of quality authentic house music. the artists involved on this release have all made huge contributions to the genre, each of whom have enjoyed commercial success from the music they create, but still choose to make quality underground house. these dance floor bombs were first released between 1997 – 2001, please enjoy!

leeds/nottingham duo mak & pasteman might be in their 20s, but their musical influences stretch from the funk and soul of the 60/70s, through juan atkins proto-techno, to soulful house, d n b and uk garage. which wont surprise anyone listening to this, their debut ep for shifting peaks, a 4 track statement of intent that sounds like it couldnt have been made any time but 2012, but also feels like 20 years of hardcore continuum is embedded deep in its musical dna.

spreekader aufnahmen is a new berlin based label. originally coming from tech house and minimal techno we are also releasing any kind of music we think it is worth hearing so that the essence of spreekader aufnahmen is good music. no matter if it is house, ambient, or any other kind of thrilling sound. we are obsessed with good music and therefore we are hopeless victims of sound. spreekader aufnahmen proudly presents to you >tamtam<. >tamtam< is going to be our first release on spreekader aufnahmen. the release features artists such as schulleri & eiblonski, benno blome, kotelett & zadak and last but not least nico stojan. the original mix brought to you by schulleri & eiblonski (labelowner of spreekader aufnahmen) is what you would call a prime-time happy-go-lucky hit at its best. talking about the remixers, benno blome (sender records) added a fast forward piano that way >tamtam< the track even goes happy-go-funky. kotelett & zadak (golden gate) took their time and made it nice and deep, perfect for every afterhour. finally nico stojan (bar 25) added piano and vocal to his version of >tamtam< and made smooth and sweet.

dubbed the >next hot natured< & following on from the first two successful sleazy releases we bring you the new signing from cassino, italy. william medagli fuses deep house vibes and a nudisco vision which is really going to set the floors alight. williams style is straight up moog magic mixed with classy & classic sounding vocals, so much so you feel youve heard them before! his sound really does keep you locked into a futuristic grooved out disco inferno

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

nice price deal !!! the first release on kanzleramts sublabel k2o, made in 1996 by david distelmann & heiko laux aka the global segment.

pumping 1995 acid, made by patrick lindsey aka voodooamt for kanzleramt.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

another kanzleramt classic, made by heiko lauyx and johannes heil in 1995.

sometimes it is difficult to tell the journey of an artist such as flash grab road. initially, it is the story of a struggling taxi driver from marseille who made electronic music in his spare time. one day, tired with life he decided to throw away everything and live for his new passion, texas holden poker.

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

groove schreibt: nicht weniger geheimnisvoll, aufgrund der rhythmusstrktur aber wesentlich tanzorientierter, geht es auf der -feige dattel- ep zu. das tietelstück ist ein paradebeispiel dafür, wie mman blasinstumente einsetzt, ohne dass dämlich klingt. auch in -made n china- und -you- sind es die kurzen jazzmomente, die den stücken ihre ganz eigene melancholische intensität verleihen (groove 134 review p. s.)

groove schreibt: nicht weniger geheimnisvoll, aufgrund der rhythmusstrktur aber wesentlich tanzorientierter, geht es auf der -feige dattel- ep zu. das tietelstück ist ein paradebeispiel dafür, wie mman blasinstumente einsetzt, ohne dass dämlich klingt. auch in -made n china- und -you- sind es die kurzen jazzmomente, die den stücken ihre ganz eigene melancholische intensität verleihen (groove 134 review p. s.)

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

toby leeming aka the third man returns with his 3rd ep for art - and what a belter it is. maintaining the high quality of previous releases >future tense< and >more than one< both aim for the dancefloor whilst retaining the melodic and harmonic sophistication that made tangier (art-dds4) and messier 66 (art-dds2) such sought-after tracks. another buy-on-sight release from art

the second format b album is booked as a big success. as a consequence the big round of remixes has been called out to which the friends from the house of formatik have been invited to. sébastien léger attacks >atomizer< with a cumulative bang like a horde of sedulous ants which are anxious to nibble on the already major sound-board to the total peak-time inferno. big-time! the intro track not only is being picked up by andhim who made out of the chill-out peace a capital dance-floor floater, also super flu casted the spherical peace for their remix. but not only the melody of >desire< has found application in their >two for one price< remix, the vocals from >liquid< as well nuzzle into the complex produced remix arrangement of the two >hallenser< to endow the hole ep the pop-crown.

this release is first new mule musiq. catalogue number was jumped up to 147 ... barnt is cologne based producer which is known as a member of magazine (artist&label). we really loved barnt 12 inch and magazine stuff on their label and very happy new barnt 12 inch is released on mule musiq. original on a side is like a dark house remix of goblin (italian progressive rock band). if you like dubby techno sound like echospace or redshape, you will into this track very easily. on b side, one of the best artist at the moment vakula made warm deep house remix. its not necessary bla bla ... about vakula sound. ambient version is lovely bonus track.

future times is pleased to present a track that has been a big part of dj sets by swimmers, max, and the rest of the crew for a couple years now. this one-sided 12 is a recombination of two classic tracks, made especially for the club by a close friend. finally available on vinyl for the true freaks!

top italo / new wave classic from 1984 by the neurox band. great dark italo wave with strange male and female vocals. on the flip hi-tech 2012 remixes made by king of the cut flemming dalum and steen body electric gjerulff. for the first time on 12 vinyl ... 7 inch goes for hundreds of euros and is rare as hell! comes in full colour sleeve, go for it while you can.

subversion: subversion was made by the dna strands of artist nick modern, featuring the vocals of inja, in a well kept secret scientific lab. this track has a pure venom snare that when it strikes leaves you powerless in its wake , face melting beats and a vocal that will make you spin and make you dizzy. snakecharmer: snake charmer, after walking in the desert for days , you begin to lose reality as the synth starts to build, it takes over your mind and starts mesmerizing you as you go on a journey into the space invader bass that keeps building and building until it blows you away. support by: dj nihal, kc, raskwane, cookie monsta, sunchase, radio1, rinse fm, get darker, demon, displaced paranormals, plastician, j da flex, hatcha, alley cat, sls

26 years old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks. releases on dessous followed and last year andrade also made an impressive debut on poker flat recordings. making the first release of his own label street knowledge, its time for andrade to take centre stage himself with the >sugar ep<. its bass-heavy groove is met with a busy vocal sample and refined piano chords, evoking a picture of his street knowledge. sugar is the soundtrack to a loft party. classics snares, mysterious synths chords and crowd noises. fantastic. keeping it old school and rolling with the bass lines and keys, andrade wraps up the originals with irreversible and berlin. for this first release, djulz offers two excellent remixes of sugar in order to confirm the power of this release.

spank rock feat. big freedia - nasty remixes taken from the album:everything is boring & everyone is a f—ing liar (produced by boys noize) on the peak of the succesful wave of spank rocks sophomore effort, everything is boring and everyone is a fucking liar, boysnoize records proudly presents spank rocks latest single called nasty featuring the undisputed queen diva of bounce music - big freedia and hooked up by the lady herself tyette. nasty is the pure extraction of an eccentric and intimate bounce track twisted, filthy, party- and sexdriven, its bound to make even the grumpiest person dance like there is no tomorrow. this pearl of goodness comes in 2 different mixes by bnrs youngest discovery scntst, who turned the original track into a dark techno/dubstep hybrid giving you goose bumps. both, are clearly one of the best mixes done by scntst so far. also alex ridha was more than impressed and picked scntst voal-remix of his favorite rapper, just edited it and made this nasty tune even more effective!addison groove, also known as headhunter, of 50 weapons fame has graced us with two reworks of nasty. both expose his passion for experimental broken up sounds. he keeps it real by emphasizing the deep and heavy bass in the track. sebastian’s dtf dadt remix is a dirty dubstep gem, which we can already see fitting right in in underground clubs and big international venues. what a bonus!

devotion, kap bambinos fourth album,is based on a few simple rules: each song is recorded as though played for the first time, and there was no second take each live show is played as if it was the final one each task is executed with a sense of urgency each decision is made with excess all the indicators are in the red. to understand the duo you need to let go of moderation. try to capture them:its too late, theyre already far away.like a permanent crash in the sound barrier. eternal youth with almost ten years behind them.

psyche are a canadian dark synth pop act centered around singer darrin huss, who has made his homebase in germany. since their debut album >insomnia theatre< in the early 80s, psyche have continued to record, and perform globally nearly 30 years to date. their indie electro-pop hits such as >unveiling the secret<, >prisoner to desire<, >sanctuary<, >gods and monsters<, and >15 minutes< are enjoyed throughout the world. psyches version of >goodbye horses<, originally made famous by q lazzarus (as heard in that pivotal buffalo bill moment in the movie >silence of the lambs<) has maintained and continued their renown as it has been played, and performed throughout europe, and as far away as mexico, south africa, and australia. optimo offers a re-aquaintance with not only the exclusive re-workings of two favorite club songs >goodbye horses< and >prisoner to desire>, but also with two of psyches pioneering instrumental tracks that inspired djs and electronic fans alike.

the 3rd housewax is made by rio padice and comes once again as strong limited, handstamped release.

after the excellent boris hottons >love is ep< it is time to present to you the second release of prague based label visky recordings! we would like to welcome warmly the two-men german project paskal & urban absolutes with their >our smile in your face ep< as a part of the new establishing visky family. a contribution to the ep has also been made by farsides henry l with his fabulous remix of the title track.

soul jazz records presents this amazing 5lp + dvd box set afro-colombian music and film project made in colombia.
this set (limited to 1000 copies) includes the dvd, two lps of original music and three lps of remixes. it comes in a stunning box set with sleeve notes about the project and the history of palenque and exclusive photography.

vinyl only release !!! strictly pressed on 300 coloured vinyl. no time for excuses! scharlach is an art project. a combination between techno and cinematic electronica. fotography, artwork and music fare made by the artist himsef.

rino cerrone solution unrilis008 rino cerrone continues a superb run of form that has made 2011 one of the veteran producers vintage years in terms of production output.solution decreasing day on the italian producers unrilis imprint is a typically no-nonsense slice of contemporary techno with a focus on unrelenting groove and dancefloor impact.lead track solution pairs pulsing bottom end with delayed flourishes and uncompromising percussion to create a powerful yet subtle effect.arrangement,as always with cerrone,is key makes much of the tracks minimal elements.decreasing day is a more detailed and darker affair.heavily textured,its dense palette of sinister, bubbling sounds makes for an almost industrial referencing cut that takes no prisoners whatsoever with ever increasing builds and drops.

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

funky and laid back jazz constructed house tracks with spacy dimension by dewalta. we are very happy to release such a fantastic long player which keeps alive our dear paris-berlin connection and our taste for subtle melange between jazz and house music. both tracks malbec and syrah will bring you far on the dancefloor like a good wine does with its fine and deep flavours of fruits and whatever it can tell about the history of its ground. david koch under his artist name dewalta persuades first on the a side with malbec. a dry clap introduces to the affair, short followed by a kick and a driving funky deep baseline which could be far enough to convince any dj fan of minimal hypnotic loops. having set up that strong base, he plays then carefully some light but brillant layers of jazzy arrangements. santé! syrah, follows up in a more trippy way performing a jazzy and elegant journey which destination is certainly somewhere in the cosmos. mastered and cutted by mike grinser at the berlin studio man made mastering.

gamm proudly presents the reflex, a new and rising star within the edit scene. after his edits made big noise on soundcloud they are now finally coming out on two separate gamm releases. note, these are not just standard edits but fully reworked productions using multitracks, original samples and even live elements. the second ep by the reflex delivers three outstanding reworks. first up is a killer stomping breakbeat take on marvins & tammy terrells >aint no mountin high enough<. next is a 60s soul twist on amys >rehab< hit. the best is saved for the last when mavins >whats going on< gets an tasteful beatless rework … simply beautiful!

low & hill is a new project created by federico locchi and alessio collina aka low & hill. the original mixes have different influences like hip-hop and downtempo, with rhythmic percussive for the dancefloor. this time we rely the remixes to the acclaimed talent of fabio giannelli, who has delivered a dark and aggressive deep interpretation,that fits very well to the djs that are looking for an innovative and underground sound and carlos sanchez that has made a dub version,with harmonious pads and a dancefloor groove.
already hot with adriatique, alli borem, butch, daniel sanchez, dan drastic, danny tenaglia, david pher, tripmastaz, dirty channels, dj sneak, dj t, dubfire, gel abril, hectik rivero, hector moralez, karotte, larsen & luca marano, lee jones, paco osuna, paul c & paolo martini, pele, robert owens, lee jones and many many more!

nkltd is proud to present three serious deep techno cuts from japans imugem orihasam.we call classic on this one!skit 5 is stone-cold killer in the refined spirit of larry heard or juan atkins. deep space darkness with shivering jazz keys. made for sunsets in the northern light.float is a mills-style mechanical beast – made for the darkened clubs or the brightening sky.deposits,closing out the ep,is an abstract,melancholic electro killer that will make the walls sweat and the eyes wet.

ltd 2012 repress !!! the reclusive, enigmatic individualist and auteur of electronic music pepe bradock created with >intriguing feathered creatures< another intense masterpiece that is so unmistakably him, stomping, multi-layerd beats that sound so loose and funky as machine rhythms can possibly get, the bubbly walking bassline which could be an on-spot improvisation by some jazz great, moody loops running backwards topped by a grinding steel drum melody and frantic, psychedelic chirping sounds as made from mechanical windup birds. a mystical end of the night tune ending in animated birdsounds that accompany you from the dark club into the morning sun and inspire to spend a resting day out in the country

as a team, we have renewed our brand and identity: we have grown strong as a musical family, so our name has grown too and become polegroup.for our 11th release, sound architect reeko brings us once more an ep made up of conceptual techno, which is suitable for the dance floor as well as for a quiet listening. he has created three tracks that concentrate on sonic details without neglecting its powerful rhythm.

from rome to glasgow through bavarian lands, analytic trail to forward its last project. the young frankyeffe comes from the success of his releases on labels like: remain records of axel karakasis, naked lunch of a.paul and kombination research of mr. cisco ferreira a.k.a. the advent. riot is the name of this ep made by four tracks, including remixes by harvey mckay and alex bau. first remixer comes from scotland with his debut album, machine make noise and the amazing project nightwalker on soma records. with starting his own label toneman back in 2000 alex bau also started to his soloproductions for labels like chris liebings clr and sleaze records with a great remix by alan fitzpatrick. riot has a straight kick, an obstinate synth reverbered in background and a sereies of short hihats. the track is mostly characterized from continuous aggressive snares that making an hard groove and all is surrounded by a fat bassline, old school techno style.

for the first release of 2012, old friends of lazy days, lawnchair generals make a rare appearance on the label with their new single >dont stop<. the duo made of peter christianson and carlos mendoza were featured separately on the feel ep last year. this song was written for their exclusive live performance at the decibel festival in seattle last year. this classic lcg tracks also comes with a superb dub for the late nights.
rob mello was an easy choice for the remix as we have been long time friends and fans of his. he took the track apart and gave us his unique no ears approach to the remix, a twisted deep afterhours biz. we hope you enjoy the release.
supported by: jimpster, karizma, motorcitysoul, fred everything, kruse & nuernberg, shur-i-kan, doc martin, marques wyatt, aaron ross, raoul belmans, mark farina, jask, iz & diz, blakkat, giom, art of tones …

s3a (sampling as an art) is another new comer made in france that you will probably here a lot this year. funkykiller vibes for this debut ep, already walking in the footsteps of mcde

when italian alex costa arrived in the world in 1979 he believes he was already addicted to electronic music. inspired by the djs surrounding him in his pr role in the clubs in the early nineties, he made the switch to dj and radio show host. in 2005 he started to produce - zoning in on quality deep house, tribal and tech house and scoring him a series of releases including daddy soon on toolroom records and was great on intacto records. we are happy he is back for some more intacto fuelled action!

nice price deal !!! as they say, all good things come to those who wait … and here it finally is: the 2nd release from black key records, made by andy ash and backed up with a remix by ugly drums - which is the exact opposite of ugly. great release!

in 1986 steve earles new brand of country-rock music was taking nashville by storm. his debut album >guitar town< topped the billboard country album charts, as did the single with the same title.
influenced by bruce springsteen (who was earles eureka!) and townes van zandt (after whom he named his firstborn), this was one of the strongest & most confident debut albums released in the 80s.
he showed an angry literacy, a dark sense of humour & a street-smart snarl that was uncommon amongst his country counterparts and made him stand out amongst the crowd. but he was also ostracised because of his anti-vietnam stance & long hair.
this is the first vinyl re-issue of this double grammy nominated album since its original release! comes on audiophile 180 grams vinyl, including bonus track and insert.

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

after releases on gigolo, rush hour, planet e, night drive music and we play house, french producer sebastien san comes up with more great stuff: the >asylum e.p.< on hamburg based label couldnt care more (who only just made a deep impression with the oliverwho factorys i can see) is made to be played on every dancefloor there is. with the hypnotic techno-soundscapes of title track asylum sebastien san created one of his best tracks ever and the other two tracks are of same quality. uptempo track does compute is driven by inescapable hooks while alpha centauri slows it down a little with warm but inclined strings, chicago house claps and a subtly pulsating bassline.

masomenos team up with the karat crew.. pure french connection.. made with love in paris. cabanne, ark, and laetitia and masomenos: thats musicians you can always rely on.. we like! very solid 4-tracker giving an impressive overview of the current french definition of killer tracks!

nice price deal !!! up to this point, diogo accioly and diego mouras partnership as talking props has taken off and reached the heights of international acknowledgment almost effortlessly. acclaimed not only by their peers, somewhat denoted by the fruitful joint ventures they managed to forge which renowned names such as vincenzo, argy, but also peer whose attention they managed to grab, labels reputed as bastions of quality music such as suara and dessous. quite predictably, it seems that in the case of this release on the d-edge records, the label sprung from the club where they hold their long-lasting residency on thursdays, they made some of their best efforts to date, releasing two deliciously infectious numbers.

volume three with more pumpin techno made for the prime time !!